Issue Date | Title | Author(s) |
2019 | An apprenticeship project: Silversmithing in Kapalicarsi (the Grand Bazaar) | Tarcan, Berilsu; Cox, Ayça Tunç |
2023 | Co-design with children with cancer: Insights from what they say, make, and do | Örnekoğlu Selçuk, Melis ; Hasırcı, Deniz; Tunç Cox, Ayça |
Jul-2017 | Craft in contemporary design culture in Turkey: Silversmithing in Grand Bazaar | Tarcan, Berilsu |
Dec-2015 | Design activism in industrial design: A critical analysis of the main scolary discourse | Çetin, Özgür Deniz |
2023 | THE EDITORIAL PREFACE: CONTEMPORARY HISTORIES OF DESIGN AND TRANSIENCE | Emgin, Bahar ; Ata, Zeynep; Tunç Cox, Ayça ; Kılınç, Kıvanç |
Dec-2016 | Effects of advertising on product gender perception: Washing machines in the Turkish market | Güngör, Oğuzhan |
2019 | Filmde heteroglossia, filmin heteroglossia’sı: La haine | Cox, Ayça Tunç ; Jaidane, Oumaima |
Oct-2012 | Hyphenated identities: The recept ion of Turkish German cinema in the Turkish daily press | Tunç Cox, Ayça |
Jun-2019 | Participatory design improving the quality of life in inpatient children with cancer | Örnekoğlu Selçuk, Melis |
2019 | Portrayal of Turkish-German migratory relations in Turkish films of the 1980s: a call for an alternative reading | Tunç Cox, Ayça |
Mar-2022 | The Queen’s body: The favourite by Yorgos Lanthimos | İnan, Fatma Serra; Tunç Cox, Ayça |
Dec-2015 | The role of user-created interface design in players' satisfaction derived from massively multiplayer online role playing games: players in the Turkish market | Kocaman, Utku |
2019 | The Roma image in the mainstream Turkish audiovisual media: Sixty years of stereotyping | Cox, Ayça Tunç ; Uştuk, Ozan |
2020 | Roma people of Turkey re-write their cinematographic images | Uştuk, Ozan ; Tunç Cox, Ayça |
2020 | The Turkish-German affair in films: A dreamworld or a netherworld? | Tunç Cox, Ayça |
Dec-2016 | Understanding gamification: Utilizing gamification as a tangible tool for organ donation campaigns | Al-Samarei, Ali |