Please use this identifier to cite or link to this item: https://hdl.handle.net/11147/4880
Title: Conceptual diagrams in creative architectural practice: The case of Daniel Libeskind's Jewish Museum
Authors: Doğan, Fehmi
Nersessian, Nancy J.
Doğan, Fehmi
Keywords: Jewish Museum
Daniel Libeskind
Berlin
Design process
Issue Date: Mar-2012
Publisher: Cambridge University Press
Source: Doğan, F., and Nersessian, N. J. (2012). Conceptual diagrams in creative architectural practice: The case of Daniel Libeskind's Jewish Museum. arq: Architectural Research Quarterly, 16(1), 14-27. doi:10.1017/S1359135512000255
Abstract: The Jewish Museum in Berlin is the first major building of Daniel Libeskind [1,2]. The project for the museum has instigated a wealth of discussions in architectural circles and achieved a rare status of attracting the attention of scholars from other disciplines. Kurt W. Forster put the design for the Jewish Museum on a par with Piranesi's Carceri d'Invenzione, an unusual position for any building since very rarely does an architectural design ‘[…] bear this double burden of representing both actual buildings and mental structures, and which therefore have to submit to being measured by both standards: the durability of their ideas and the imaginative faculty of their designer.’
URI: http://doi.org/10.1017/S1359135512000255
http://hdl.handle.net/11147/4880
ISSN: 1359-1355
1359-1355
Appears in Collections:Architecture / Mimarlık
Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection
WoS İndeksli Yayınlar Koleksiyonu / WoS Indexed Publications Collection

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