Please use this identifier to cite or link to this item: https://hdl.handle.net/11147/3702
Full metadata record
DC FieldValueLanguage
dc.contributor.advisorÇıkış, Şenizen
dc.contributor.authorIşık, Arda-
dc.date.accessioned2014-07-22T13:52:11Z-
dc.date.available2014-07-22T13:52:11Z-
dc.date.issued2003en
dc.identifier.urihttp://hdl.handle.net/11147/3702-
dc.descriptionThesis (Master)--İzmir Institute of Technology, Architecture, İzmir, 2003en
dc.descriptionIncludes bibliographical references (leaves: 73-78)en
dc.descriptionText in English; Abstract: Turkish and Englishen
dc.descriptioniii, 78 leavesen
dc.description.abstractDiscussions of the theoretical foundations of architecture increasingly refer to hermeneutics, a branch of continental European philosophy concerned with human understanding and the interpretation of written texts. Perez-Gomez, Vidler, Vattimo, Palmer and some contemporary theoreticians draw heavily on hermeneutics to question the ethical and epistemological latency of architecture . The concept of "hermeneutics as architectural discourse", which was first introduced by Perez-Gomez, naming "choral works", offers insights that may contribute to the understanding and procession of architecture regarding this issue of architectural epistemology . After briefly reviewing the historical development of hermeneutics as a method of interpretation, from its classical use through the modern debates, and confining the boundaries of "choral works" as architectural meaning, this thesis examines the contributions of choral works in architecture in terms of hermeneutics to the contemporary production methods and strategies of architecture. This background provides perspective for a review of recent hermeneutically-oriented architectural production modes. This includes the "event" diagrams of Bernard Tschumi redefining programming and de-structuring in architecture, Eisenmann's .space of between., Libeskind.s .traces of the invisible. for coding the affective structures of narratives and "hypersurface" theories confining [de] territories by computer aided design parameters.en
dc.language.isoenen_US
dc.publisherIzmir Institute of Technologyen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subject.lccNA2500. I85 2003en
dc.subject.lcshArchitecture--Philosophyen
dc.subject.lcshHermeneuticsen
dc.titleChoral works in architecture in terms of hermeneuticsen_US
dc.typeMaster Thesisen_US
dc.institutionauthorIşık, Arda-
dc.departmentThesis (Master)--İzmir Institute of Technology, Architectureen_US
dc.relation.publicationcategoryTezen_US
item.openairetypeMaster Thesis-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.fulltextWith Fulltext-
item.languageiso639-1en-
item.cerifentitytypePublications-
item.grantfulltextopen-
Appears in Collections:Master Degree / Yüksek Lisans Tezleri
Files in This Item:
File Description SizeFormat 
T000288.pdfMasterThesis2.86 MBAdobe PDFThumbnail
View/Open
Show simple item record



CORE Recommender

Page view(s)

80
checked on Mar 25, 2024

Download(s)

102
checked on Mar 25, 2024

Google ScholarTM

Check





Items in GCRIS Repository are protected by copyright, with all rights reserved, unless otherwise indicated.